Grandfathers are supposed to be clever, genial figures in their grandchildren’s lives—maybe somebody who teaches the youngsters easy methods to fish, shares the enjoyment of old movies and, of course, tells interminably lengthy stories.
However not all grandfathers fit that template. Some are less wise and genial and more brilliant and sociopathic.
Take Rick Sanchez, for instance. After having been gone—like, really gone—for a couple of decades, the old man with the blue pointy hair immediately shows up on daughter Beth’s doorstep and moves in. It is apparent to everybody that he’s not exactly, um, right, if you understand what I mean. But perhaps that’s merely a side effect of his adventures—courtesy of a portal-creating gun— by an unfolding and chaotic multiverse.
He’s seen things, man.
But nihilistic dystopian adventures aren’t any fun with out a little company. While Beth is basically oblivious to Rick’s sci-fi shenanigans, her children—high-strung 14-yr-old Morty and his rebellious, world weary older sister, Summer season—are all too conversant in them. Morty has been a party to pert near each one among Grandpa Rick’s misadventures, and Summer season is more and more well traveled herself.
But if journey is meant to expand one’s mind in most case, Rick’s interdimensional hopping appears to be imploding on itself.
RICK ROLLING THE WRONG WAY
Rick and Morty has earned, within the words of Wikipedia, “universal acclaim,” boasting a 100% positive evaluate score on, well, no matter rating site you’d wish to use. Except ours, of course. So Wikipedia will have to amend its take to “close to universal acclaim,” as we now have some nits to pick with Rick and Morty.
This is to not say that the show isn’t intelligent, or well written, or even funny. It might be. However it can be incredibly bleak and darkish and problematic and troubling. And Rick is … how do we put this gently … a big ol’ jerk.
It’s not my opinion. He is purported to be a jerk. The show has given Morty’s blue-haired grandpa signs of pretty much every misanthropic malady and psychotic tic known to humankind.
“Now, listen,” he tells Morty and Summer time throughout an all-too-typical coronary heart-to-heart talk, “I know the 2 of you are very totally different from each other in a variety of methods, however you have to understand that so far as Grandpa’s concerned, you’re each items of (bleep)! Yeah. I can prove it mathematically.”
Grandpa Rick has little regard for family, provided that the infinite multiverse comprises more members of the family than he can probably count. He calls marriage “funerals with cake,” and cares not a whit about his daughter, Beth, and her husband, Jerry, or the way in which they select to dad or mum their kids.
And Rick’s bleak worldview permeates the entire show. Even Morty, a more sympathetic character who seems to truly care for those around him, is contaminated by his grandfather’s godless, existential nihilism. “Nobody exists on purpose,” Morty tells his sister. “Nobody belongs anyplace, everybody’s going to die. Come watch TV.”
Generally the show hints at something akin to a heart, but let’s face it: When it comes to its worldview, Rick and Morty is The Simpsons as written by Nietzshe, shortly after he went insane.
However even when Rick and Morty had all of the glowing positivity of Mr. Rogers’ Neighborhood, the content would still be enough to make it superlatively problematic.
On any given episode, animated characters may have their arms ripped off or their heads smashed in or, maybe, have their heads smashed in with their own ripped-off arms. Animated blood falls like rain in Seattle. And Rick and Morty’s not above showing somewhat animated skin, either. Or a lot. Or even sexual interludes.
The show is rated TV-14, but it really gets that by the use of technicality. Some bad language (f-words and s-words, mostly) is bleeped on Cartoon Network’s late-night time Adult Swim block of programming, but it’s pretty obvious from the context what those words are.
I might like to say it’s a disgrace Rick and Morty didn’t throttle back on its content material slightly—that, if it had accomplished so, the show can be a lot better. However that would be a lie. This is the form of show the place gratuitous content material, shock and nihilism are all a part of the purpose—a bit of its “charm,” if you will. It’s not a sequence that may be cleaned up with a censoring service or judicious use of a fast-forward button. The real shame is that the show’s kinda funny … and that it’s nonetheless so bad.
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